This was one of those interesting articles I missed way back when it ran in 1986, being newly married with a 7 month old son at the time, and just trying to stay working (as a professional product) photographer, while living down in Orange County, California.  In fact, this was some 2-1/2 years before my wife, 2 kids, and I headed on to new adventures to the Pacific Northwest in Portland, Oregon, after having lived all of my life previously in Southern California.


Spirit had been one of my favorite bands as I was growing up. I was fortunate enough to have older brothers who knew about music (not just plain old everyday music, but good music, and that’s what they brought home – thanks Al & Ger.)  I got to see Spirit live at places like the Anaheim Convention Center, Santa Monica Civic Auditorium, and even the wonderful Golden Bear in Huntington Beach, California.


I grew up with great music all around me to listen to: surf music from Dick Dale, as well as surf songs from The Chantays, The Surfaris, and even The Challengers. There was all the other cool music too, instrumentals from The Ventures, and all the cool stuff from The Beatles, The Rolling Stones, The Who, Jimi Hendrix, The Doors, The Paul Butterfield Blues Band, The Electric Flag, Spirit, and so on and so on.


Guitarist Randy California of Spirit was one of my guitar idols. As a seventh and eighth grader, and then later as a high school and college age kid, I actually really tried to play in a “style” as he did. I even had a Danelectro Silvertone and a Boss Tone. He was one of the greatest players ever as far as I was concerned.  As a fifteen year old he played guitar alongside Jimi Hendrix in Jimi’s band Jimmy James and The Blue Flames.


His name was Randy Wolfe at the time and the name California was given to him by Hendrix to distinguish him from another Randy in the band whom Hendrix called Randy Texas.


It’s hard to wonder just what else Randy California might have done musically as his life was cut short when he drowned in Hawaii while in the process of saving his son from a rip current. This happened on January 2, 1997, some 10 plus years after Jim Washburn wrote this story.

There’s also the others too that I can’t help but think about that influenced the music I have liked to play who left us way too soon: Robert Johnson, Jimi Hendrix, John Lennon, Mike Bloomfield, Stevie Ray Vaughan, George Harrison, Randy California…and I had better stop here.


Every time I use my Danelectro or my BossTone, I think of the great guitar sounds and solos that Randy California gave us, along with all of the cool songs that he wrote (I actually still play a lot of those solos – by myself).


And one more thing before getting to the story, regardless of what anyone else says, or thinks, the first time I heard Stairway To Heaven by Led Zeppelin, I thought to myself,”That was pulled right from Randy California’s “Taurus” off the first Spirit album my brother had.”  Just sayin’. I know those descending types of things are quite common in music, but as a kid who hardly knew anything about music “the first time I heard it”.



Enjoy this cool story by a most knowledgeable music writer, Jim Washburn. If you like this story or are interested in Danelectros at all, check out The Danelectro Story right here on Jackaboutguitars.com by Jim Washburn and Steve Soest.

Also check out “A Bit on The New Danelectro Company” which contains a whole bunch of info including an interview with Steve Soest, the guy who seems to know more about Danelectros than just about anybody on the planet!

Special thanks to Jim Washburn for sharing this.    –  Jack


 MARCH 14, 1986

Back when one could say such things without being scoffed at, guitarist Randy California announced, “Music is our form of communication and love with the universe.”
Even in the heady days of 1968 such a statement might have been hard to take, except that California’s band, Spirit, backed it up with exceptional music that fans tended to describe in terms of magic rather than musical style.

One of the most innovative pop groups of an era bursting with innovation, the five-piece band took diverse influences — including modern jazz, blues, classical, country and rock — and produced seamless, hyphen-defying music ranging from the buoyant hit “I Got a Line on You,” the underground classics “1984″ and “Mechanical World” to live explorations of John Coltrane tunes.

TheFamilyThat Plays Together

California, then in his late teens, was central to the sound, writing and singing much of Spirit’s best material, and coaxing both Hendrixian fuzztone explosions and hushed Wes Montgomery like octave lines from his budget Silvertone guitar. Since the band split in 1970, California and drummer Ed Cassidy have retained the Spirit name and ethos, while other founders Jay Ferguson, Mark Andes and John Locke have moved on to less idealistic pursuits: writing commercial jingles, playing bass with Heart, and doing studio work in Montserrat, respectively.


Though hailed as a musical genius in Europe, where he still plays festivals and there are Spirit appreciation societies, California and his present band (Cassidy, keyboardist Scott Monahan and bassist Dave Waterberry) haven’t found the financial security of the ex-Spirits. On a U.S. club tour that concludes at the Coach House Saturday night, California claims he finds other rewards. “I have to look inside myself and say ‘What music is going to make me feel good — and everyone in the band feel good — while we’re doing it?’ And if that music becomes popular, all right. If not, at least we can feel good about what we’re doing. There’s no other choice for us.”


California began playing guitar at the age of 5. His uncle owned LA’s legendary blues-folk Ash Grove club, and many of the musicians playing there — including guitar greats Lightnin’ Hopkins, Doc Watson, Mance Lipscomb and Clarence White — would stay with his family and give him lessons. One frequent Ash Grove act was the Rising Sons, one of America’s first white blues bands, which featured Ry Cooder, Taj Mahal and Cassidy.


Cassidy fell in love with California’s mother and they married. Soon after, he began playing with the Red Roosters, a 1965 garage band that later grew into Spirit, making Cassidy and his new stepson perhaps the first father-son act in rock. Given rock’s rebellious nature, the notion of having dad sitting behind the drums might seem uncomfortable, but California said, “Actually, it was kind of fun. There was a great love and respect between us. We sort of got into rock ‘n’ roll together.”


Though Cassidy had played everything from symphonic music to country since his professional career began in 1939, most of his background was in modern jazz — having played with Chet Baker, Ornette Coleman, Zoot Sims and others. When Cassidy moved to New York for more jazz work, California came along, and found his music’s biggest influence.


“I met Jimi Hendrix in a music store and he liked the way I played. He was doing his first gig as a solo artist at a place in-the Village called the “Cafe Wha”, and he invited me to play with him. I was 15 years old and I did that for three months, five sets a night, so he was a pretty heavy duty influence on me.” It was Hendrix who dubbed him Randy California (his original last name was Wolfe) to distinguish him from a Texas-born Randy also in the band. Hendrix was soon discovered and taken to England and stardom by manager Chas Chandler.


The 15-year-old also struck Chandler as “a brilliant guitarist,” but California was too young to obtain a British work permit, and returned to LA with Cassidy. 
There the pair ran into old bandmate Ferguson at a love-in in Griffith Park in 1967 and Spirit was soon formed. The title of Spirit’s eventual second album was “The Family That Plays Together,” and the group did indeed stay together communally for a time in a large old house in Topanga Canyon.


California said, “I think the bottom line of what made Spirit special was the affection we had for each other, the fun that we had when we were together, and the creativity that abounded when we made music together. We didn’t sit down and say ‘Let’s write a hit song.’ We all did our own things, accepted each other’s styles — because we all came from different backgrounds — and we made music that came out the way it did. Everyone had the freedom to do what they felt they wanted to do; then we’d make it fit into one sound that was a culmination of it all.


“What mattered was the human side of it, that we weren’t just a music machine trying to make money. There was that magic there. This new band, I’m real happy to say, has that same creative feeling and the same kind of affection for each other that the old band had. We can do a sound check, and nearly come up with three new songs just jamming for 20 minutes. That’s what I’ve been looking for, and I think we’ve got it now.”


After residing in England for the past three years, California has moved back to the LA area. He recently released an album in Europe called “Restless” and is working on material for a new Spirit album with his band. Most of the current live set is revamped old Spirit staples, but California — now in his mid-30s — isn’t living in the ’60s, he’d like to see Spirit work with new wave producers Steve Lillywhite and Chris Hughes, and his current musical favorites include U2, Stanley Jordan, Eddie Van Halen and the Dream Academy.

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