Chris Liscio has come up with a great software program that is just PURE GENIUS.  No, it’s not brand new as it’s been out for a little while, but I’ve got the latest version, Capo 2 for Mac, and have heard more than just a few times how cool it really is.  Capo can actually help musicians to learn how to play by ear.  Without a doubt, I believe CAPO could be called a guitarist’s best friend.


This is so cool that I had to borrow this from the CAPO website: “Along the way, we’ve received many accolades, including two Apple Design Awards for our products Capo and FuzzMeasure. Our software is recognized as some of the best in the industry, and we strive to maintain that reputation.”  That says plenty.


Most players, even if they have never played with a physical capo, pretty much know how one works.  The idea is that one can raise the key of a song by simply moving the capo up the neck.


For those who are just starting out and don’t know what a physical capo does, it’s kind of like this: playing a song in the key of G is a pretty basic kind of deal.  If one wants to play that same song in the key of A without going through all of the hassle of transposing the chords to make the song work in the key of A, it’s as simple as putting the capo on at the second fret, and playing the song the same way as if one were playing in the key of G.  However, the song is now in the key of A as the capo has done all of the work for you and made everything that much easier.


With CAPO from SUPER ULTRA MEGA GROOVY, Chris Liscio has in a sense, managed to do the same type of thing with software, but it really kind of isn’t the same thing at all, and, oh yeah, and did I mention it’s only about a thousand times better!  This program is unbelievable.  Before I get into the meat of it, (or even better, certified organic, non GMO, Vegan great stuff – much healthier for you than the meat with what they feed the animals these days – unless your talking free range, but that’s another story altogether) about CAPO, I’m going to run you back a few decades when I was coming up on guitar to help put things a little more in perspective for people who may be coming from a different place & time, like I did.  You see, not everyone who is a guitar player came up with the internet.

1964 was a different time than today to be learning to play the guitar.  The Beatles were what was happening and just about every young kid or teenager saw what these young guitar playing guys could do to the ladies.  Consequently, every guy I knew wanted a guitar(aka girl magnet) and wanted to learn how to play it (the guitar).


Some younger players probably can’t even imagine a time when the Internet didn’t exist.  It was a bit tougher years ago as access to a lot of things was a bit more difficult.  The only chord book that I had was a little booklet I got which came with my 1/2 size fully tunable plastic guitar.  So you can imagine the chords in this booklet were pretty basic ones.


Mom & Dad were wise.  They really did know what they were doing.  A fine example is the fact that they bought me this 1/2 size fully tunable plastic guitar with the little chord booklet and a few songs in it to make sure that I really wanted to learn how to play.  I did learn to play well enough that my rendition of  “Home On The Range” was quite recognizable and this allowed me the opportunity to graduate to that 3/4 size expensive wooden guitar I had been eyeing every time  that we went to Sears, Roebuck, and Company.  (For a bit more information see:



We also had our brand new state of the art 1965 High Fidelity Silvertone Stereo Record Player.  Mom & Dad were oh so good to us.  With this unit ‘we was bad!’


One thing that was difficult in those days was the fact that the standard A440 might not have been fully implemented yet in all recording studios.  Now whether or not this was the reason, maybe tape speed fluctuation, or even instruments being tuned just a bit off from one song to the next, it always seemed that tuning might be only good for one or two songs on an album at best before the whole guitar had to be re tuned again.


If that wasn’t enough, there was also the constant lifting of the tone arm stylus to play a certain section of the song again and again to get the right

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